Firstly, congratulations on the publication of Street Whispers. How hard was it to select the stories – and indeed the running order?
Thank you. It was difficult to pick and arrange the stories. They were written at different times, some for publication, some for fun, a couple were lost treasures, so telling a story with the stories—it didn’t immediately lend itself to that. “The Gull Princess,” the first story, was a story that I felt had a ton of heart for its size. And I wanted to think about how people read short story collections. For a reader that’s unfamiliar with your work, you have maybe two stories to hook them in, and that first story’s got to hit. I think they all hit, especially with the crime-noir crowd, but that first story, I needed it to be something that could capture people who read broadly, like people that I encounter in my day-to-day travels. I’m hoping I achieved that.
Do you have a favourite story in the collection? If so, why is it your favourite?
I’m torn between “The Gull Princess” and “Rats,” but through sheer weight, I would go with “Rats.” I got into writing to put a focus on people that have become invisible to society: the homeless, the hopeless, the disregarded, the background criminals—basically the weathered people who’ve all but given up on finding a legit place in the world. “Rats” is about the life and death of a homeless man named David, and his friend, who remembers him as he makes his way through the city to make David matter. When I was about ten years old, my mother was active with the homeless rights movement in our area. I was involved in sleep outs and rallies, even getting to the Bush compound in Kennebunkport, Maine. This was a time when people were fighting to end homelessness with housing solutions. Soon after that, the focus shifted to a homeless “industry” of sheltering, treatment and managing the homeless on the street, i.e. city ordinances, police actions. I’ve also worked in an SRO for a time, so I’ve seen that battle from both ends. I’ve never myself been homeless, but that’s a matter of ‘any given Sunday’, I guess.
What is the oldest story in the book? How do you think your style has evolved since then?
I think “The Ninth Step” is the oldest one, yeah, “Ninth Step.” It’s a story about an alcoholic coming to terms with his past, but with a twist. And that where I think I’m a different writer now than I was then. I used to pride myself on coming up with interesting twists. Whether it would be a full-on plot twist or just a turn of phrase at the end, I loved getting people to think one thing, and flip them around a hundred-and-eighty-degrees to show them what was happening while they were watching the left hand. I still like this, I think it’s fun, and if anything, I try to build upon the foundation I’ve built when I write one of those stories now. But I’ve been going down the path of slowing down the frenetic pace of action and focusing on the essence of a dramatic moment or moments, the intense focus on a person, giving my readers a mind’s-ride through very tough situations. I think this is where the first story, “The Gull Princess” is at.
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