Tag Archives: crime fiction

Shawn A. Cosby – My Darkest Prayer, the Interview.

If you meet Nathan Waymaker, you probably don’t want it to be in a back alley. And you definitely don’t want to have wronged someone that’s in his good graces. And if you’re ever in trouble in Queen County, Virginia, his number beats 911.

In Shawn A. Cosby’s debut novel, My Darkest Prayer, we are brought into the world of fraudsters hosting Sunday service, Sheriff’s Deputies hosting grudges and the people on the margins who are anything but marginal.

When a scoundrel-come-minister is found dead of an apparent suicide, Nathan Waymaker is approached by his congregants to dig something other than the grave, and he stabs his shovel into a world that begins with money-laundering and ends with murder.

We sit down for a chat with author Shawn A. Cosby.

LMS: Nathan Waymaker is pretty much a certified badass. A former Marine, former Sheriff’s Deputy, he’s got a lot in the toolkit. You’ve done a great job of building up his character in My Darkest Prayer, but you only do so much without straying off the path. So here, now, what are some “Nate trivia” we can feast on?

Shawn A. Cosby, author picture.
S.A. Cosby.

SAC: It’s funny that you asked that because when I create characters I like to give them as much of a backstory as possible. Most of that doesn’t make it into the book but it helps me visualize them as a real person. So as far a trivia goes Nathan served in Iraq and also in Afghanistan. He is left handed. His favorite drink is rum and soda. He played football in high school but wasn’t good enough to get a scholarship so that was why he joined the Marines. And he loves animals. If I ever get the opportunity to write about him again, he will have a dog in his future adventures.

LMS: I know that you’re from Gloucester, Virginia, and Gloucester is mentioned, and is a minor scene in, the story. And the Virginia setting isn’t really saturated in the universe of mystery/crime fiction. What does Virginia, or can we call it the Mid-Atlantic, have to offer that’s unique from places like New York or L.A., or say, Texas, or the mountains of you-name-the-state?

SAC I think the Mid-Atlantic is a rich setting for stories of all kinds. Virginia has a long and complicated history with race, politics, religion and crime. During Prohibition, many citizens of the Mid-Atlantic used their skill in the art of making moonshine to supplement their income. Richmond Virginia was the capital of the Confederacy and also the birth place of first black governor in America. It’s home to evangelical tent revivals and the opioid crisis. There is so much to explore here thematically from the Blue Ridge mountains to the Chesapeake Bay.

LMS: Nathan works for his cousin’s funeral home. Were there any personal reasons for that setting? Where were you drawing it from? And, as I haven’t seen it myself before, what do you think that perspective offers crime/mystery?

Shawn Cosby flexing after a workout.
Shawn’s War-Face.

SAC: Well my in my day job I am a funeral home attendant. I think working in the mortuary industry, I get a unique perspective on the human condition. I see people everyday who are going through the worst time in their life. The dignity and poise and strength they show during this time is awe inspiring. I also get to see people deal with long held family secrets and simmering tensions. It’s an incredible opportunity as a writer to observe these real-life mysteries unfold. So my experiences have served as powerful inspiration for my work. I think narratively Nathan’s ability to put people at ease is a direct result of his time working at the funeral home. He’s able to get past his suspects initial psychological barriers. They open up to home in a way they might not with a police officer or a traditional PI.

LMS: There’s a lot of great dialog in this book. What can you say to people starting out writing a book about creating good, snappy dialog? And in terms of dialect, slang, etc., where are the good mixes? Like, if you were throwing bits of speech in a cocktail, how are you writing out the recipe?

SAC:  The best advice I can give anyone about writing dialog is spend a lot of time listening to how people actually talk. Sit in a bar and eavesdrop on the two guys complaining about the game. Stand in line for tickets to a movie and pay attention to the couple having a whisper argument. It might seem like you’re being nosy. And you are. But if you take those rhythms that you hear in actual everyday speech and combine them with your own unique verbiage you can create a pretty good sense of what your characters are saying and how they say it. Personally, I like to sprinkle in some slang and dialect among my work but not too much. Usually I’ll have my villains or side characters use a lot of slang. My main character is my mouthpiece, so I try to keep his or her dialog clean and crisp.

LMS: I feel like Nathan can be a series character, without spoiling the ending. He just has room to develop as a character. Can you give your readers your own little spoiler on where you see Nathan Waymaker going? And in that grain, what else is in the pipes for you?

Mugshot of Shawn Cosby and Eryk Pruitt
Shawn Cosby and Eryk Pruitt.

SAC: Well I’d love to see Nathan come back and take on another case. I’ve actually written an outline that details a possible sequel. I guess it all depends on how his first book does. Currently I’m working with Josh Getzler and HSG Literary Agents on my 2nd book.  It’s a standalone crime novel that is currently being shopped around. But I’d love to bring Nathan back. I think he’s an interesting character. He has some archetypal attributes of a standard noir detective but also some significant differences and I’d like to explore those in the future.

Pick up My Darkest Prayer at Amazon, Barnes & Noble, or wherever you normally buy books, and have yourself a pretty damn heavy stocking stuffer.

 

David Nemeth Interviews Me in ‘Suspect’s Viewpoint’

I recently had the pleasure of being interviewed by David Nemeth for Suspect’s Viewpoint,  on Unlawful Acts.

Below is an excerpt.

David: Let’s talk about your story, “Rats”. I mentioned in my review, the story uliam sweeny - suspect's viewpointnmasked a fear that I think many of us have, that we are all precariously situated in our lives. In crime fiction, there’s always a certain amount of fear but it is always removed far from the reader. With “Rats” and other stories, the reader can absolutely picture themselves in these difficult situations. With many in the States one or two steps away from financial ruin, can you talk about how you relate your storytelling these sorts of situations and even those caused by a few bad decisions?

Liam: I want to split open the social construct that says that if you live on the street, or you’re poor, or struggling, that you’re, at best, society’s cautionary tale. We’ve been conditioned to believe that if you’re doing well, it’s because you deserve it, that it was solely because of your character, and nothing else. Only occasionally that’s true. And we’re also conditioned to believe the opposite; if you’re down and out, you must deserve it, and be of weak moral character. Again, only occasionally is that true.

But reality encroaches. We see homeless families that work two jobs and live out of a van. We see homeless veterans. And we feel like we have to explain that away, because the truth, that someone can do right in their life and still wind up busted and broken – that’s a terrifying reveal. In “Rats,” both main characters wound up on the streets for reasons other than a faulty character. And that’s the “crime” of that story – not any crime they’ve committed, but the crime of their very existence.

You can find the full article on Unlawful Acts.

The Interrogation Room with Tom Leins

 

From dirtybooksblog.wordpress.com

Firstly, congratulations on the publication of Street Whispers. How hard was it to select the stories – and indeed the running order?

Thank you. It was difficult to pick and arrange the stories. They were written at different times, some for publication, some for fun, a couple were lost treasures, so telling a story with the stories—it didn’t immediately lend itself to that. “The Gull Princess,” the first story, was a story that I felt had a ton of heart for its size. And I wanted to think about how people read short story collections. For a reader that’s unfamiliar with your work, you have maybe two stories to hook them in, and that first story’s got to hit. I think they all hit, especially with the crime-noir crowd, but that first story, I needed it to be something that could capture people who read broadly, like people that I encounter in my day-to-day travels. I’m hoping I achieved that.

Do you have a favourite story in the collection? If so, why is it your favourite?

I’m torn between “The Gull Princess” and “Rats,” but through sheer weight, I would go with “Rats.” I got into writing to put a focus on people that have become invisible to society: the homeless, the hopeless, the disregarded, the background criminals—basically the weathered people who’ve all but given up on finding a legit place in the world. “Rats” is about the life and death of a homeless man named David, and his friend, who remembers him as he makes his way through the city to make David matter. When I was about ten years old, my mother was active with the homeless rights movement in our area. I was involved in sleep outs and rallies, even getting to the Bush compound in Kennebunkport, Maine. This was a time when people were fighting to end homelessness with housing solutions. Soon after that, the focus shifted to a homeless “industry” of sheltering, treatment and managing the homeless on the street, i.e. city ordinances, police actions. I’ve also worked in an SRO for a time, so I’ve seen that battle from both ends. I’ve never myself been homeless, but that’s a matter of ‘any given Sunday’, I guess.

What is the oldest story in the book? How do you think your style has evolved since then?

I think “The Ninth Step” is the oldest one, yeah, “Ninth Step.” It’s a story about an alcoholic coming to terms with his past, but with a twist. And that where I think I’m a different writer now than I was then. I used to pride myself on coming up with interesting twists. Whether it would be a full-on plot twist or just a turn of phrase at the end, I loved getting people to think one thing, and flip them around a hundred-and-eighty-degrees to show them what was happening while they were watching the left hand. I still like this, I think it’s fun, and if anything, I try to build upon the foundation I’ve built when I write one of those stories now. But I’ve been going down the path of slowing down the frenetic pace of action and focusing on the essence of a dramatic moment or moments, the intense focus on a person, giving my readers a mind’s-ride through very tough situations. I think this is where the first story, “The Gull Princess” is at.

See more at the original article.