In my continuing bid to document my writing life for you, and not let all the big news go by, I am happy to present to you a short, flash story that’s been published by the preeminent journal of twisted taste Shotgun Honey. The story, “Storm Debris” draws from my years of experience in disaster work, and my love of a good vengeance tale.
This is admittedly a short post. The bulk of this post are in the link below:
Keep tuned for a lengthier post. More to come.
I recently had the pleasure of being interviewed by David Nemeth for Suspect’s Viewpoint, on Unlawful Acts.
Below is an excerpt.
David: Let’s talk about your story, “Rats”. I mentioned in my review, the story unmasked a fear that I think many of us have, that we are all precariously situated in our lives. In crime fiction, there’s always a certain amount of fear but it is always removed far from the reader. With “Rats” and other stories, the reader can absolutely picture themselves in these difficult situations. With many in the States one or two steps away from financial ruin, can you talk about how you relate your storytelling these sorts of situations and even those caused by a few bad decisions?
Liam: I want to split open the social construct that says that if you live on the street, or you’re poor, or struggling, that you’re, at best, society’s cautionary tale. We’ve been conditioned to believe that if you’re doing well, it’s because you deserve it, that it was solely because of your character, and nothing else. Only occasionally that’s true. And we’re also conditioned to believe the opposite; if you’re down and out, you must deserve it, and be of weak moral character. Again, only occasionally is that true.
But reality encroaches. We see homeless families that work two jobs and live out of a van. We see homeless veterans. And we feel like we have to explain that away, because the truth, that someone can do right in their life and still wind up busted and broken – that’s a terrifying reveal. In “Rats,” both main characters wound up on the streets for reasons other than a faulty character. And that’s the “crime” of that story – not any crime they’ve committed, but the crime of their very existence.
You can find the full article on Unlawful Acts.